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・ Antonio Hercolani Fava Simonetti
・ Antonio Herin
・ Antonio Hernando
・ Antonio Hernández
・ Antonio Hernández (cyclist)
・ Antonio Hernández Gallegos
・ Antonio Hernández Mancha
・ Antonio Herrera Toro
・ Antonio Herrera-Vaillant
・ Antonio Hidalgo
・ Antonio Hidalgo De Carlos
・ Antonio Hidalgo Morilla
・ Antonio Hidalgo Rodríguez
・ Antonio Hierro
・ Antonio Hortal
Antonio Hurtado de Mendoza
・ Antonio I (disambiguation)
・ Antonio I Acciaioli
・ Antonio I della Scala
・ Antonio I Ordelaffi
・ Antonio I, Prince of Monaco
・ Antonio Iannucci
・ Antonio Ibáñez de la Riva Herrera
・ Antonio Ibáñez Freire
・ Antonio Ignacio de la Pedrosa y Guerrero
・ Antonio II
・ Antonio II Acciaioli
・ Antonio II da Montefeltro
・ Antonio il Verso
・ Antonio Ilustrisimo


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Antonio Hurtado de Mendoza : ウィキペディア英語版
Antonio Hurtado de Mendoza
Antonio Hurtado de Mendoza (1586 – 22 September 1644) was a Spanish dramatist.
==Biography==
Hurtado was born in Castro Urdiales, Cantabria.
He became page to the count de Saldaña (son of the duke de Lerma), and was recognized as a rising poet by Cervantes in the ''Viaje del Parnaso'' (1614). He rose rapidly into favor under Philip IV, who appointed him private secretary, commissioned from him ''comedias palaciegas'' for the royal theatre at Aranjuez, and in 1623 conferred on him the orders of Santiago and Calatrava. Most of his contemporaries and rivals paid court to ''el discreto de palacio'', and Mendoza seems to have lived on the friendliest terms with all his brother dramatists except Ruiz de Alarcón. He is said to have been involved in the fall of Olivares, and died unexpectedly at Zaragoza on 19 September 1644.
His theatrical works include numerous entremés works.
Only one of his plays, ''Querer por solo querer'', was published with his consent; it is included in a volume (1623) containing his semi-official account of the performances at Aranjuez in 1622. The best edition of Mendoza's plays and verses bears the title of ''Obras liricas y comicas, divinas y humanas'' (1728). Much of his work does not rise above the level of graceful and accomplished verse; but that he had higher qualities is shown by ''El marido hace mujer'', a brilliant comedy of manners, which forms the chief source of Molière's ''École des maris''.
The ''Fiesta que se hizo en Aranjuez'' and ''Querer por solo querer'' were translated into English by Sir Richard Fanshawe, afterwards ambassador at Madrid, in a posthumous volume published in 1671.

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